A piece in The New Republic by Jed Perl beautifully describes the complicated relationship between writer and reader. He is especially concerned with the effect that speedy technology is having on this relationship. He writes:
…the speed with which words, once written, are now being read—a speed shaped by technological innovations long before the Internet turned the quick turnaround into the virtually instantaneous turnaround—has set me to thinking about the extent to which writing, for the writer, ought to have a freestanding value, a value apart from the reader.
Writers’ Right to Remain Silent
He starts to tease out this idea: writers do themselves a disservice when they write in order to be read by some imagined reader. (For the record, this is a point that conflicts with my own view on the matter. Or did, at least.) Perl thinks that the thinking process is an intimate one, a messy one, a drippy one. Writers make sense of things by writing and sometimes forgetting or rereading. It’s that
most writing worth reading is the product, at least to some degree, of this extraordinarily intimate confrontation between the disorderly impressions in the writer’s mind and the more or less orderly procession of words that the writer manages to produce on the page.
Writers have a right to be left unread. To be read is to be drawn into a relationship, a commitment, that etches one’s thoughts into some textual stone. There is value, Perl argues, in simply writing and in NOT being read:
Nobody understands the extent to which, even for the widely acclaimed author with ready access to publication, the process of writing can sometimes necessitate a rejection or at least an avoidance of one’s own readers.
That avoidance of readers gives writers a sort of right to remain silent. What’s more,
That silence is a part of writing—that the work of this day or this week or even this year might for good reason be withheld—is becoming harder and harder to comprehend.
Forcing Students to Publish
I agree that recently it has become a new industry to publish one’s ideas quickly and quirkily. I say this, of course, while doing exactly that. (Have you checked my Twitter feeds or clicked on the suggested links below?!) Still, there is something to be said here for what we do as educators as well. Aren’t we in the business of making students publish there ideas, no matter how premature those ideas might be?
The Intimacy of Literacy
I’m thinking about this age of accountability and assessment in education when if it isn’t made public and quantified, it doesn’t count. And yet, there is much to be gained, Perl says, in exactly that: not counting, not sharing. What would it mean for us as educators to NOT assess students’ work until they are ready to publish it to us? Are we, as a profession, guilty of disrespecting the intimacy of literacy?
Teaching What We Don’t Know
I’ve asked a similar question before with regard to students’ reading. Teachers don’t know–for certain–that students read for class. They know how well they read quizzes, perhaps, but reading itself is a private act and we only know as much as students wish to share with us. We fight it, perhaps, or trick ourselves into thinking we “can tell” when a student reads for class. But we don’t know. Perhaps there’s a lesson to learn about writing too. Perhaps writing merits its own distance and silence. In these days of Tweets and Facebooking and blogging, making one’s ideas public is gaining uncritical acceptance. For Perl,
But if there are risks involved in resisting the public, there are also dangers involved in running after the public. Nobody talks about those dangers anymore.
Someone should be discussing those dangers with students. Teachers should.